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角头:大桥头
2024 0.0分 剧情片
<p>  故事时间回到源头,英文片名暗示故事聚焦父子关系。大桥头第二代Michael(王阳明 饰)横空出世,瞒着父亲(龙天翔 饰)与兄弟(张怀秋 饰)私下打算重整角头新的秩序,惹火了北馆(高捷、王识贤)、顶庄(蔡振南、孙鹏)、北城(太保 饰)共同对抗,四方角头正式开战。</p>
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诺丫与彩奏
2025 0.0分 剧情片
内详  /
<p>《诺丫与彩奏》是一部经典的民间故事,故事充满玄幻、传奇。讲述了苗族青年诺丫与勤劳美丽的彩奏相恋,却被老虎抢亲,最后诺丫通过自己的努力救回了彩奏的精彩故事。诺丫和彩奏代表了正义和善良的一面,向观众呈现了坚强勇敢、不怕牺牲、坚守坚贞不渝的爱情。</p>
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梯田姐妹
2025 0.0分 剧情片
<p>  该片以红河哈尼梯田这一世界遗产的传承、保护和利用作为主要叙事内容,将乡村振兴的表达植入其中,在开发与保护二元对抗性母题结构下,讲述了致力于哈尼梯田保护工作的“姐姐”揭开旅游公司诺玛项目违规开发和破坏自然生态的真相,最终用哈尼族传统文化的魅力重新凝聚了“妹妹”和“村民”的故事。</p>
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再帮个小忙
2025 0.0分 剧情片
<p>  史蒂芬妮·斯莫瑟斯(安娜·肯德里克 Anna Kendrick 饰)和爱蜜莉·尼尔森(布蕾克·莱弗利 Blake Lively 饰)在美丽的意大利卡普里岛重逢,参加爱蜜莉与意大利富商(米凯莱·莫罗尼 Michele Morrone 饰)的奢华婚礼。婚礼现场,一众衣着光鲜的客人举杯相庆,期间却有人离奇遇害和惨遭背叛。剧情一波三折,好比从大港通向卡普里镇广场的蜿蜒小路。<..
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女儿的女儿
2024 0.0分 剧情片
<p>  耳顺之年活得悠然自得的金艾霞(张艾嘉 饰),突被通知在纽约做人工生殖的小女儿(刘奕儿 饰)车祸身亡。在处理后事、对成功胚胎的去留做出抉择的同时,她将面对当年出生即被送养的大女儿Emma(林嘉欣 饰)。做决定的时刻;她,抑或她们,会如何选择?</p>
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侵犯
2024 0.0分 剧情片
<p>  电影《侵犯》于2025年3月12日在韩国院线上映。该片曾入围2024年第29届釜山国际电影节“韩国电影的今日-全景”单元并获得好评。少女时代成员权俞利细腻地塑造了影片中金敏的角色,展现出与歌手时期截然不同的面貌<br/>  ···<br/>  单亲妈妈英恩(郭善英 饰)独自抚养行为怪异的7岁女儿素贤(奇素宥 饰)。为了阻止女儿的危险行为,她竭尽全力、..
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《不安分的年轻人们》剧情介绍

影视大全提供影视作品不安分的年轻人们高清全集在线观看的影视全集网,剧情片《不安分的年轻人们》全集作品的导演是马塞尔·卡尔内   ,由帕斯卡尔·普缇  安德丽·帕里西  雅克·夏里尔  洛朗·特兹弗  让-保罗·贝尔蒙多  达妮·萨瓦尔  主演,不安分的年轻人们在豆瓣的评分为0.0,本片由小编于2025-03-08 17:54更新,希望大家喜欢,可以把《不安分的年轻人们》推荐给你朋友,本作品的地址为 https://gussc.com/movie/index61726.html

《不安分的年轻人们》简介:<p>  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic&#39;s only dream is to own a luxury car, and with Bob&#39;s help, she manages to find the money to but it. Mic&#39;s friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...<br/>  <br/>  Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.<br/>  <br/>  Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.<br/>  <br/>  Whilst Les Tricheurs is not as flawless as Carné&#39;s earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean&#39;s films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné&#39;s treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.<br/>  <br/>  Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo&#39;s breakthrough had to wait until the following year when he starred in Jean-Luc Godard&#39;s revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.</p>

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